My Mother, The Lycanthrope

Series: Lykoi Chronicles (#1)
Genre: Horror
Author: W.W. Lengeman
Publisher: Self-published (via Smashwords)

(Review copy provided by the author)


When dealing with a self-published novel, there's always a 500-pound question lurking in the room: "Why couldn't this novel find a publisher?" There are a number of possible valid answers. Maybe the genre is in a slump, or the industry expects it to go into a slump soon. Maybe it's too edgy or controversial for the big boys. (Not as common as you'd think; controversy sells.) Maybe the author's new, and doesn't have the right combination of writing skill, networking skill, marketing skill, and luck to get it through the system. Maybe he does, but the recession has hit him hard and he needs money now, rather than the year or two it will take to get a book to shelf in the old model. Or, maybe the author prefers the self-publishing model. Maybe he thinks it'll give him a better profit margin, or he wants full creative freedom, or he's got an impulse to stick it to the man. All too often, however, it's something far simpler -- and more depressing -- then any of these: the book just isn't good enough.

By These Ten Bones

Series: Stand-alone
Genre: Horror
Author: Clare B. Dunkle
Publisher: Square Fish
(Review copy courtesy of Blue Slip Media)


By These Ten Bones is one of those most annoying of books: the kind that can't live up to it's ideas. It's a decent plot, but there's a difference between a good plot and a good story. Turning the former into the latter requires skill, time, and effort. In the case of By These Ten Bones, one or more of the three was sorely lacking. The result is a book that left me completely and totally cold.

The Frenzy

Series: Stand-Alone
Genre: Horror
Author: Francesca Lia Block
Publisher: HarperTeen

I try to avoid ranting in my reviews. Yes, I'm not always full of praise and kudos. If I see a mistake, I point it out. If an author breaks rules they should know not to, I wag the finger reprovingly. If I find the characters or themes of the story offensive, I will say so. But I don't treat a bad book as a slap in the face. I don't come at an author with both barrels demanding the time I spent reading refunded. I don't take this stuff personally.

The Frenzy is bad in a way that I do take personally. It doesn't fail due to a lack of interesting ideas. In fact, it has some great ones. It doesn't fail due to a lack of skill on the authors part. Francesca Lia Block has over 30 published books and several prestigious awards to her credit, so she obviously knows what she's doing. No, the great failing of The Frenzy is laziness. It's a first draft. The author hasn't put in the work to make it the best it can be. It never should have found it's way to the bookshelves in it's current form. Someone somewhere along the way should have kicked it back to the author and said "We all know you can do better." Yes, yes, I know -- authors have to eat, deadlines have to be met, publishers have to turn in good quarterly reports. But there is still a very clear and distinct line between a book that has been polished to at least meet a certain standard of quality and a book that has been throw together by someone who doesn't give a damn. Don't ship the latter.

Kitty's House of Horrors

Series: Kitty Norville (#7)
Genre: Adventure/Horror
Author: Carrie Vaughn
Publisher: Hachette

By now I'm very familiar with the fact that Kitty Norville is a sequence of ups and downs. None of the books thus far has been a bad read, but the generally episodic nature of Carrie Vaughn's storytelling means that different books -- or even parts of the same book -- will fall somewhere in a range between awesome and mediocre. I'd have to say that Kitty's House of Horrors falls in the mediocre category. There's enough good stuff here to make it worthwhile, but a lot of it also has a phoned-in quality to it, and it comes off as an idea that seemed a lot better than it turned out.

Frostbite

Series: Frostbite (#1)
Genre: Horror/Romance
Author: David Wellington
Publisher: Three Rivers Press

I try to go into each book I read with a kind of presumption of innocence.  I flip the front cover for the first time with the idea that the book will be good, and as I read the evidence is presented for or against that point. With Frostbite, it wound up going in the other direction -- I started to hate the book in short order, but slowly warmed up to it as the story progressed. The result was a read that was kinda lumpy -- the bad stuff is piled at the beginning, and the good stuff at the end.  I found it rewarding overall, but having to slog through the first half may be too much for some readers.